Having said that... here's some more news

Busy busy busy day in TV land. I mentioned the "Mad Men" July 25 return date earlier, and several other developments have happened since:

• Larry David agreed to come back for an eighth season of "Curb Your Enthusiasm" to air in 2011. Basically, HBO extends an open invitation for Larry to continue whenever he wants, and then they wait around for him to say yes. Presumably, he wouldn't be back if he didn't have an idea he thought could top the "Seinfeld" season, just as he came back after TV Larry died and went to Heaven, or after TV Larry joined the Black family.

• NBC has renewed "Parenthood" for next season, which pleases me. I haven't written about recent episodes due to vacation and/or the problems of it airing while I'm busy trying to analyze "Lost," but overall the show's doing more good than bad, and I'd like to see more.

• Jon Stewart and Stephen Colbert signed contract extensions with Comedy Central to continue "The Daily Show" and "The Colbert Report" through the 2012 elections.

And that's all... for now, anyway. The way this day's going, I expect six more renewals or premiere dates to be announced before I go home.

UPDATE: And, of course, I was right. FX just announced that the penultimate season of "Rescue Me," and the funny new Louis CK sitcom "Louie," will both premiere on June 29.

Curb Your Enthusiasm, "Seinfeld": The two Costanzas

A review of the "Curb Your Enthusiasm" finale (and the quasi-"Seinfeld" finale contained within) coming up just as soon as I discriminate amongst wood...

"That ending was so much better than the one that I wrote." -Larry David

In that moment, Larry's talking about the ending to the reunion special, not the "Seinfeld" finale. And he's always been adamant (including in a line in this episode) that he has no regrets about the finale. But whether he'll ever cop to it or not, over the course of this season of "Curb," and particularly over these last two episodes, Larry has given "Seinfeld" fans the ending they deserved but didn't get a decade ago.

Since it's been a while since I've opined on this subject, and since this will likely be the last time I'll have an opportunity to do so, my two cents on the "Seinfeld" finale: It's not that it didn't work because the characters were revealed to be selfish and shallow and awful human beings. We all already knew that they were. That was part of the joke, particularly in the later seasons. It didn't work because Larry clearly worried that his audience hadn't figured this out on their own, and that he needed to tell them, and to judge the characters - and, by proxy, the viewers who liked them - in the finale. And his need to make that point got in the way of the comedy. It wasn't an episode; it was a list of all the bad things Jerry, George, Elaine and Kramer had ever done, all with a scolding subtext trying to question why we had found all that stuff funny over the years.

In fairness, placing this "Seinfeld" reunion in the confines of a "Curb" episode makes it easy for it to stand out. It's all the good bits, none of the plot mechanics: just joke, joke, joke, joke, joke. But what we did see of it, here and in "The Table Read," felt much more along the lines of what the finale should have been: just one last collection of stories involving these four socially maladjusted people.

Now, as an episode of "Curb," I'd put this one a little behind "The Table Read," which had the benefit of introducing most the reunion show jokes already - though this episode featured Jerry's wonderful rant about BlackBerry etiquette - and also the presence of Leon, which automatically makes any episode at least 20% funnier. But it still had plenty of inspired moments, whether it was Larry smiling through his pure hatred for Mocha Joe as he filled his tip cup with $20 bills, or the use of "Having said that" as a classic "Seinfeld"-style catchphrase(*)

(*) I don't think I use the phrase that often in my writing, but I do know I'm gonna try to stop it in the future. Having said that, it's really useful.

The highlight, easily, was Larry's brief attempt to play George Costanza, and the bizarre meta moment of Larry David broadly playing the mannerisms of an actor who became famous for playing a shorter, stockier, slightly more lovable version of himself. For all the grief Jerry takes (and the grief he gives himself) about his limitations as an actor, I have to give him major credit for being able to get through at least one take of that scene without cackling hysterically at the spectacle. (The outtakes for that scene are a must for the next "Curb" DVD set.)

In the end, the episode provides the exact kind of happy endings that "Seinfeld" itself eschewed: the reunion comes together and is terrific, and Larry and Cheryl get back together, albeit with Cheryl getting an instant reminder of why she left the guy in the first place.

So with "Seinfeld" having gotten proper closure, has Larry also put a bow on "Curb"? The last few seasons have all ended on notes that could very easily be the end of the series: Larry dies (briefly). Larry finds happiness as a member of the Black family. Larry makes a successful "Seinfeld" reunion and gets his wife back. What's left to do?

The previous two times, Larry came up with an idea (the divorce, then the "Seinfeld" stuff) that made him want to come back. And it's entirely possible he'll find that kind of inspiration again. As always, HBO's going to give Larry all the time in the world to decide. Either the show will come back one day, or it won't.

And if it comes back, I really hope Larry can talk Jerry into joining the ranks of recurring players on the show. Jerry certainly doesn't need the money, but his real-life relationship with Larry made him into one of TV Larry's best foils to date. It's just sheer pleasure to watch Jerry goad Larry into doing things he doesn't want to do himself, or to take someone else's side in an argument because he knows it'll push Larry's buttons.

As a "Seinfeld" fan, I feel like I finally got all I needed to see of Jerry and friends. As a "Curb" fan, I'm still hungry for a lot more of Jerry with Larry, if that's what either of these men want to do with their lives.

What did everybody else think?

Curb Your Enthusiasm, "The Table Read": The Duberstein doppleganger

Some thoughts on last night's "Curb Your Enthusiasm" coming up just as soon as I recharge the mitzvah...

There may have been funnier episodes of "Curb" this season ("Vehicular Fellatio" comes to mind), but none have felt as satisfying on so many levels as "The Table Read." It worked as an episode of "Curb." It worked as a quasi-"Seinfeld" reunion, and as a kind of DVD bonus feature about what life on the "Seinfeld" set was like(*). It mixed the two worlds expertly, with Marty Funkhouser making an ass of himself in front of Jerry and Jerry letting him do it, and with Leon finally, inevitably, crossing paths with Michael Richards. And it all left a big smile on my face.

(*) The interaction between Julia, Jerry and Wayne Knight in particular seemed exactly like how I imagine rehearsal on that show went.

I loved seeing Julia and Jason both start to realize that there's something fishy about the casting of Cheryl to play George's wife, and the ongoing smug hatred between Larry and Jason remains a delight. And I love that what little we heard of the reunion script feels like actual "Seinfeld" writing. A character getting mixed up with Bernie Madoff is exactly the sort of thing a 2009 "Seinfeld" episode might feature, the dialogue had all the right rhythms, and there were nice little moments like Jerry being surprised that Elaine knows about the Fortress of Solitude crystals. Plus, we got both Newman and Banya! It's clear that Larry (and probably Jerry) put a lot of time and effort into getting the one scripted part of the show right.

I mean, I don't think I would actually want to see this script produced as a real reunion special, but I'm much less confident about that than I would have been before I watched this episode. Where the script for "Jerry!" (the show-within-the-show from "Seinfeld" season four) was deliberately awful, this felt like it had potential. (Though, of course, the fact that we only got snippets, and not the whole thing, no doubt made the material seem better than it would on its own at full length.)

But taken as an episode of "Curb," it also worked. Funkhouser again overstepped his boundaries, as he so often does. The maitre d' gag tied in nicely with the little girl texting story(**), and that in turn paid off beautifully with an oblivious Larry at the doctor's office.

(***) Given that "NewsRadio" briefly aired alongside "Seinfeld" on NBC's Thursday lineup, it was a little odd to see Vicki Lewis not playing herself. But overall, she's definitely lower on the fame threshold than someone like Elisabeth Shue or John Schneider, and if they could play characters last week, then I guess she can, too.

I was a little disappointed in the references to Michael's infamous racist tirade, but more in that it's something I think I'd built up in my head ever since this season's story was announced, and so nothing could live up to that. And I think that Michael Richards as himself is more introverted and less inherently funny than Jerry or Jason are. But Leon doing his best impersonation of a white Jewish man, telling Kramer all sorts of lies about Groats disease(***), was yet another example of the genius that JB Smoove has brought to the series.

(***) Groats is fictional, and a callback to season two's "The Thong."

I have high hopes for next week's finale, but in a way, I feel like I've already gotten the "Seinfeld" reunion (or a facsimile of it) that I wanted.

What did everybody else think?